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Cultural Transfer and Political Conflicts
Film Festivals in the Cold War (livre en anglais)
Sous la direction de Andreas Kotzing
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Description de l'ouvrage :
Film festivals during the Cold War were fraught with the political and social tensions that dominated the world at the time. While film was becoming an increasingly powerful medium, the European festivals in particular established themselves as showcases for filmmakers and their perceptions of reality. At the same time, their prestigious, international character attracted the interest of states and private players. The history of these festivals thus sheds light not only on the films they made available to various publics, but on the cultural policies and political processes that informed their operations. Presenting new research by an international group of younger scholars, Cultural Transfer and Political Conflicts critically investigates postwar history in the context of film festivals reconstructing not only their social background and international dispensation, but also their centrality for cultural transfers between the East, the West and the South during the Cold War.
À propos de l'auteur :
Dr. Andreas Kotzing ist Lehrbeauftragter an der Universitat Leipzig und Wissenschaftlicher Mitarbeiter am Hannah-Arendt-Institut fur Totalitarismusforschung in Dresden. Dr. Caroline Moine ist Assistenzprofessorin an der Universitat Versailles Saint-Quentin-en-Yvelines und Vize-Direktorin des Centre d'histoire culturelle des societes contemporaines.
Voir le site internet de l'éditeur Vandenhoeck & Ruprecht
> Sur un thème proche :
Science on Screen and Paper (2024)
Media Cultures and Knowledge Production in Cold War Europe
Dir. Mariana Ivanova et Juliane Scholz
The Bondian Cold War (2024)
The Transnational Legacy of a Cultural Icon
Dir. Martin D. Brown, Ronald J. Granieri et Muriel Blaive
Sujet : Un Film > James Bond
Policing Show Business (2024)
J. Edgar Hoover, the Hollywood Blacklist, and Cold War Movies
Sujet : Pays > Etats-Unis
Screening Communities (2019)
Negotiating Narratives of Empire, Nation, and the Cold War in Hong Kong Cinema
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