Les livres en français sont sur www.livres-cinema.info
Scream with Me
Horror Films and the Rise of American Feminism (1968-1980) (livre en anglais)
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage :
A compelling, intelligent, and timely exploration of the horror genre from one of Columbia University’s most popular professors, shedding light on how classic horror films demonstrate larger cultural attitudes about women’s rights, bodily autonomy, and more.
In May of 2022, Columbia University’s Dr. Eleanor Johnson watched along with her students as the Supreme Court reversed Roe v. Wade. At the same time, her class was studying the 1968 horror film Rosemary’s Baby and Johnson had a sudden epiphany: horror cinema engages directly with the combustive politics of women’s rights and offer a light through the darkness and an outlet to scream.
With a voice as persuasive as it is insightful, Johnson reveals how classics like Rosemary’s Baby, The Exorcist, and The Shining expose and critique issues of reproductive control, domestic violence, and patriarchal oppression. Scream with Me weaves these iconic films into the fabric of American feminism, revealing that true horror often lies not in the supernatural, but in the familiar confines of the home, exposing the deep-seated fears and realities of women’s lives.
While on the one hand a joyful celebration of seminal and beloved horror films, Scream with Me is also an unflinching and timely recognition of the power of this genre to shape and reflect cultural dialogues about gender and power.
À propos de l'auteur :
Eleanor Johnson is a professor of English and comparative literature at Columbia University. She is the author of four books: Scream with Me, Practicing Literary Theory in the Middle Ages, Staging Contemplation, and the award-winning Waste and the Wasters, as well as two collections of poetry, The Dwell and Her Many Feathered Bones.
Revue de Presse :
"[With] sharp historical observations and astute readings, [Johnson pulls] dark political realities from movies that on the surface are about extraterrestrial or supernatural realms.This astute survey will fire up readers to fight back against the patriarchy." —Publishers Weekly
"For every woman who knew, deep down, her best bet was to be a final girl… Johnson’s witty, sharp analyses of horror will get you to the other side. With government-sanctioned misogyny on the rise, there couldn't be a better time." —Cat Bohannon, New York Times bestselling author of Eve
"The contention that domestic and reproductive violence is dramatized in iconic horror films made during the height of feminism’s second wave is the startling, provocative, and ultimately persuasive thesis of this brilliant, riveting volume of cinematic feminist analysis. That chauvinistic male directors—at least one a perpetrator himself—can bring searing social and political inquiry to the fore of our culture’s consciousness is not only fascinating but arguably a beacon of hope for change." —Dorchen Leidholdt, Esq., Director of the Center for Battered Women’s Legal Services, Columbia Law School
"These movies are some of the most important works of horror in the modern era. You will never look at them the same way again after reading this remarkable book. Johnson offers the key—the skeleton key, one might say—to the real-life horrors that lay, not too deeply buried for those who care to look, underneath the frightful surface of domestic life for American women in the 1970s, and that lies there again in the 2020s. Johnson cares—brilliantly, passionately—and makes us care, too." —Jeremy Dauber, author of American Scary: A History of Horror, from Salem to Stephen King and Beyond
"I’m not a fan of horror movies, but as a woman (and mother) living in 21st-century America, I’m recommending Scream With Me to everyone I know. With force and insight, Johnson reexamines classics like Rosemary’s Baby, The Exorcist, Alien, and The Shining through a feminist lens, showing how, by forcing their audiences to viscerally feel their protagonists’ fear, these films helped advance conversations around coercive control, sexual assault, and other forms of domestic abuse—and (in the case of Rosemary’s Baby) likely even contributed to the fight for abortion rights. Today, in a moment when many of women’s hard-won rights are being stripped away, Johnson makes a fierce, convincing case that what’s happening in real life should be making us scream, and that horror isn’t just entertainment—it can be a catalyst for change." —Catherine Price, author of The Power of Fun
Voir le site internet de l'éditeur Atria Books
> Sur un thème proche :
Vampire Films of the 1970s (2017)
Dracula to Blacula and Every Fang Between
Giallo! (2021)
Genre, Modernity, and Detection in Italian Horror Cinema
The Politics of Monstrous Figures in Contemporary Cinema (2025)
Witches, Zombies, and Cyborgs Re-enchanting the Ends of the World
Sixties Shockers (2025)
A Critical Filmography of Horror Cinema, 1960-1969
de Mark Clark et Bryan Senn
Retour
