Les livres en français sont sur www.livres-cinema.info
The Symbolic, the Sublime, and Slavoj Zizek's Theory of Film
(livre en anglais)
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage :
Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Žižek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.
À propos de l'auteur :
Matthew Flisfeder is Assistant Professor in the Department of Rhetoric, Writing, and Communications, at the University of Winnipeg, Canada. He is author of Postmodern Theory and Blade Runner (2017), and co-editor (with Louis-Paul Willis) of Žižek and Media Studies: A Reader (2014).
Revue de Presse :
"This is a wonderfully lucid and perceptive account of how the i ekian approach to cinema provides the theoretical coordinates for our understanding of ideology. Via i ek, Matthew Flisfeder makes a compelling case for a Lacanian reading of film which, once freed from old debates on spectatorship, has a chance to strike a formidable alliance with Marxism to invite us to rethink our world through the eyes of film." - Fabio Vighi, reader in Film and Critical Theory, Cardiff University, UK
"Matthew Flisfeder's The Symbolic, The Sublime, and Slavoj i ek's Theory of Film marks a decisive moment in film studies. It is the first book to take full account of Slavoj i ek's significance for the analysis of film, and it does so in an exhaustive and insightful way. Though there now exist many recent books on Lacanian film theory and on Slavoj i ek's thought, no books exist that explain i ek's intervention in the domain of film studies. Not only does Flisfeder open new ground in this way,but he also creates a work that is accessible and theoretically sophisticated at the same time, much like i ek's own thought. It will provide a point of entry into the implications of i ek's philosophy on the analysis of cinema for all levels, from undergraduate students to professors of film studies. Flisfeder's book is a treasure for all." - Todd McGowan, associate professor of Film Studies, University of Vermont. USA
"[Flisfeder's] book insists on the need for a sophisticated and politically aware psychoanalytic film theory, and he makes an effort to answer the question about the relevance of Lacanian film theory today . . . This book may help to ignite an exciting new trend in film theory, and I welcome it." Canadian Journal of Communication
Voir le site internet de l'éditeur Palgrave MacMillan
> Sur un thème proche :
Walls without Cinema (2022)
State Security and Subjective Embodiment in Twenty-First-Century US Filmmaking
Sujet : Sociologie
Our Fears Made Manifest (2021)
Essays on Terror, Trauma and Loss in Film, 1998–2019
Dir. Ashley Jae Carranza
Sujet : Sociologie
Third Cinema, World Cinema and Marxism (2022)
Dir. Ewa Mazierska et Lars Kristensen
Sujet : Sociologie
Insurgent Media from the Front (2020)
A Media Activism Reader
Dir. Chris Robé et Stephen Charbonneau
Sujet : Sociologie
Contemporary Cinema and Neoliberal Ideology (2017)
Dir. Ewa Mazierska et Lars Kristensen
Sujet : Sociologie
Cinema and the Wealth of Nations (2017)
Media, Capital, and the Liberal World System
Sujet : Sociologie
Projecting the World (2017)
Representing the "Foreign" in Classical Hollywood
Dir. Russell Meeuf et Anna Cooper
Sujet : Sociologie
Retour
