Expressive Spaces in Digital 3D Cinema
(livre en anglais)
de Owen Weetch
Moyenne des votes :
0 | vote | ![]() |
0 | vote | ![]() |
0 | vote | ![]() |
0 | vote | ![]() |
Votre vote : -
Description de l'ouvrage :
This book puts forward a more considered perspective on 3D, which is often seen as a distracting gimmick at odds with artful cinematic storytelling. Owen Weetch looks at how stereography brings added significance and expressivity to individual films that all showcase remarkable uses of the format. Avatar , Gravity , The Hole , The Great Gatsby and Frozen all demonstrate that stereography is a rich and sophisticated process that has the potential to bring extra meaning to a film’s narrative and themes. Through close reading of these five very different examples, Expressive Spaces in Digital 3D Cinema shows how being sensitive to stereographic manipulation can nuance and enrich the critical appreciation of stereoscopic films. It demonstrates that the expressive placement of characters and objects within 3D film worlds can construct meaning in ways that are unavailable to ‘flat’ cinema.
Voir le site internet de l'éditeur Palgrave MacMillan
> Sur un thème proche :
Spaces Mapped and Monstrous (2020)
Digital 3D Cinema and Visual Culture
de Nick Jones
Sujet : Technique > Projection
Cinema 4D (2011)
The Artist's Project Sourcebook
de Kent McQuilkin et Anne Powers
Sujet : Technique > Directeur de la photo
3-D Movies (1998)
A History and Filmography of Stereoscopic Cinema
de R.M. Hayes
Sujet : Technique > Directeur de la photo
New Media Technology and Motion Pictures (2024)
Dir. Daniel S. Hunt
Sujet : Technique > Toutes les techniques
Digital Compositing for Film and Video (2024)
Production Workflows and Techniques
de Steve Wright
Sujet : Technique > Effets spéciaux
Musical Composition and Digital Technology in Hollywood (2024)
Dir. Chloé Huvet
(en anglais et français)