Les livres en français sont sur www.livres-cinema.info
The Palgrave Handbook of Asian Cinema
(livre en anglais)
Sous la direction de Aaron Han Joon Magnan-Park, Gina Marchetti et Tan See-Kam
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage :
This collection offers new approaches to theorizing Asian film in relation to the history, culture, geopolitics and economics of the continent. Bringing together original essays written by established and emerging scholars, this anthology transcends the limitations of national borders to do justice to the diverse ways in which the cinema shapes Asia geographically and imaginatively in the world today. From the revival of the Silk Road as the “belt and road” of a rising China to historical ruminations on the legacy of colonialism across the continent, the authors argue that the category of “Asian cinema” from Turkey to the edges of the Pacific continues to play a vital role in cutting-edge film research. This handbook will serve as an essential guide for committed scholars, students, and all those interested in the past, present, and possible future of Asian cinema in the 21st century.
À propos des auteurs :
Aaron Han Joon Magnan-Park is Assistant Professor in the Department of Comparative Literature at the University of Hong Kong. He has published in Asian Cinema, The Journal of Japanese and Korean Cinema, The Journal of Korean Studies, and Post Script.Gina Marchetti is Professor in the Department of Comparative Literature at the University of Hong Kong. In 1995, her book, Romance and the "Yellow Peril”: Race, Sex and Discursive Strategies in Hollywood Fiction (University of California, 1993), won the award for best book in the area of cultural studies from the Association for Asian American Studies. Her recent book is Citing China: Politics, Postmodernism, and World Cinema (University Of Hawai'i Press, 2018).Tan See Kam is Associate Professor of Film Studies at the Department of English, University of Macau. He is Chair of the Asian Cinema Studies Society and Chief Editor of Asian Cinema.
Revue de Presse :
"This essential collection provides an illuminating and thought-provoking exploration of some of the key debates in the fast-growing field of Asian cinema. Guiding readers through the historical, political and conceptual possibilities opened by Asia’s dynamic screen industries, the editors have assembled a valuable resource that will set the tone for scholarly interventions to come." (Olivia Khoo, Monash University, Australia)
Voir le site internet de l'éditeur Palgrave MacMillan
> Des mêmes auteurs :
Hong Kong Film, Hollywood and New Global Cinema (2009)
No Film is An Island
Dir. Gina Marchetti et Tan See-Kam
Chinese Connections (2009)
Critical Perspectives on Film, Identity, and Diaspora
Dir. Tan See-Kam, Peter X. Feng et Gina Marchetti
From Tian'anmen to Times Square (2006)
Transnational China and the Chinese Diaspora on Global Screens, 1989-1997
Romance and the "Yellow Peril" (1994)
Race, Sex, and Discursive Strategies in Hollywood Fiction
Sujet : Sociologie
> Sur un thème proche :
The Asian Family in Literature and Film (2024)
Challenges and Contestations-South Asia, Southeast Asia and Asian Diaspora, Volume II
Dir. Bernard Wilson et Sharifah Aishah Osman
The Asian Family in Literature and Film (2024)
Changing Perceptions in a New Age-East Asia, Volume I
Dir. Bernard Wilson et Sharifah Aishah Osman
Theorizing Colonial Cinema (2022)
Reframing Production, Circulation, and Consumption of Film in Asia
Dir. Nayoung Aimee Kwon, Takushi Odagiri et Moonim Baek
Asian Children's Literature and Film in a Global Age (2020)
Local, National, and Transnational Trajectories
Retour
