Philosophy in Stan Brakhage's Dog Star Man

World, Metaphor, Interpretation (livre en anglais)

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de Alberto Baracco

Type: Essais
Sujet: Un Film > Dog Star Man
Mots Clés: Stan Brakhage
Année d'édition: 2019
Editeur: Palgrave MacMillan
Langue: anglais

Taille du livre

Format

Broché • 162 pages
15 x 21,5 cm

ISBN

978-3-030-12425-0

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Description de l'ouvrage :
This book shows how a masterpiece of experimental cinema can be interpreted through hermeneutics of the film world. As an application of Ricœurian methodology to a non-narrative film, the book calls into question the fundamental concept of the film world. Firmly rooted within the context of experimental cinema, Stan Brakhage’s Dog Star Man was not created on the basis of a narrative structure and representation of characters, places and events, but on very different presuppositions. The techniques with which Brakhage worked on celluloid and used frames as canvases, as well as his choice to make the film without dialogue and sound, exhort the interpreter to directly question the philosophical language of moving images.

À propos de l'auteur :
Alberto Baracco conducts research on film, film philosophy and film ecocriticism at the University of Torino, Italy.

Voir le site internet de l'éditeur Palgrave MacMillan

Voir la fiche de Dog Star Man (1964) sur le site IMDB ...

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