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Japanese Horror and the Transnational Cinema of Sensations
(livre en anglais)
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Description de l'ouvrage :
Japanese Horror and the Transnational Cinema of Sensations undertakes a critical reassessment of Japanese horror cinema by attending to its intermediality and transnational hybridity in relation to world horror cinema. Neither a conventional film history nor a thematic survey of Japanese horror cinema, this study offers a transnational analysis of selected films from new angles that shed light on previously ignored aspects of the genre, including sound design, framing techniques, and lighting, as well as the slow attack and long release times of J-horror’s slow-burn style, which have contributed significantly to the development of its dread-filled cinema of sensations.
À propos de l'auteur :
Steven T. Brown is Professor of Japanese Film, Transnational Cinema, and Sound Studies in the Department of Comparative Literature at the University of Oregon, USA. He is author of Tokyo Cyberpunk (2010) and Theatricalities of Power (2001), editor of Cinema Anime (2006), and co-editor of Performing Japanese Women (2002).
Revue de Presse :
"In Japanese Horror and the Transnational Cinema of Sensations, Steven T. Brown provides an invaluable reflection on the subterranean cult phenomenon of Japanese horror film, or ‘J-horror.’ Unafraid to enter the underground passages that define the J-horror genre, Brown shows the complexity of this cinema, its brilliance as well as the dark auteurism it has engendered. Brown links this J-horror to phenomenologies and paraphenomenologies of perception, to the uncanny, to Surrealism and cruelty, and ultimately to an epistemology of fear. This book opens a genuine dialogue with the other side of cinema." (Akira Lippit, Professor of Cinema and Media Studies, University of Southern California, USA, and author of Atomic Light, Shadow Optics)
"Treating Japanese horror cinema squarely as a transnational phenomenon and as an issue for cinema studies, Brown’s approach to filmic works as ‘assemblages’ takes apart, like in a sequence of exploded views, the films under his discussion. By placing J-Horror in its transnational and transdisciplinary context, Brown creates a vivid, pulsating interconnectedness with works of literature, fine art, and music, with concepts of philosophy, and with phenomena of folklore and mythology. In so doing, Brown sets new standards and guidelines for other scholars to follow―or to ignore at their own peril." (Tom Mes, Lecturer in Japanese Film, Leiden University, The Netherlands, and author of Agitator: The Cinema of Takashi Miike)
Voir le site internet de l'éditeur Palgrave MacMillan
> Sur un thème proche :
Japanese Horror Culture (2023)
Critical Essays on Film, Literature, Anime, Video Games
Dir. Fernando Gabriel Pagnoni Berns, Subashish Bhattacharjee et Ananya Saha
Circulating Fear (2023)
Japanese Horror, Fractured Realities, and New Media
Japanese Horror Cinema and Deleuze (2023)
Interrogating and Reconceptualizing Dominant Modes of Thought
Ghost in the Well (2021)
The Hidden History of Horror Films in Japan
Japanese and American Horror (2014)
A Comparative Study of Film, Fiction, Graphic Novels and Video Games
Japanese Science Fiction, Fantasy and Horror Films (2007)
A Critical Analysis and Filmography of 103 Features Released in the United States, 1950–1992
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