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Global Melodrama

Nation, Body, and History in Contemporary Film (livre en anglais)

de Carla Marcantonio

Type
Essais
Sujet
GenreDrame
Mots Clés
melodrama, mondial, 21e siècle
Année d'édition
2015
Editeur
Palgrave MacMillan
Collection
Global Cinema
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié • 200 pages
14 x 21,5 cm
ISBN
978-1-137-53061-5
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Description de l'ouvrage :
Global Melodrama is the first booklength work to investigate melodrama in a specifically twenty-first century setting across regional and national boundaries, analyzing film texts from a variety of national contexts in the wake of globalization.

À propos de l'auteur :
Carla Marcantonio is an Associate Professor at Loyola Marymount University, USA. Her articles and essays have been published in such journals as Social Text, Women and Performance: A Journal of Feminist Theory and Cineaste, as well as multiple edited books. She received her PhD in Cinema Studies from New York University and her MA in Comparative Literature from the University of Colorado, Boulder.

Revue de Presse :
"Marcantonio's book is an innovative study of contemporary melodramatic forms that extend beyond national borders, gendered identities, and reigning expressions of sovereignty. She critically and closely focuses on exemplary film texts from Latin America, Europe, and Asia to track their treatments of imperilled and marginal bodies within a global milieu by updating neorealism to render the effects and affects of dislocation as substantial and perceptible." - Marcia Landy, Distinguished Professor Emeritus, English, Film, University of Pittsburgh, USA

"Drawing on the work of globally feted auteurs such as Almodóvar, Iñárritu, and Wong Kar-wai, Marcantonio carefully updates theories of film melodrama for our times. She analyzes the recalibration of familiar melodramatic tropes and concerns - body and community, delay and chance, realism and excess - without losing sight of significant continuities and local contingencies. Exploring how the genre/mode helps us make sense of globalization's far-reaching reorganization of quotidian lifeworlds, this useful work posits a break in melodrama's historical evolution." - Bhaskar Sarkar, author of Mourning the Nation: Indian Cinema in the Wake of Partition

Voir le site internet de l'éditeur Palgrave MacMillan

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