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Transformation of Contemporary Film Genre
The Aesthetics of Chinese Mainland Mainstream Cinema (livre en anglais)
Description de l'ouvrage :
This book is the first one focusing on Chinese mainstream films from a cross-disciplinary perspective. Based on case studies, it discusses three subgenres of mainland Chinese commercial mainstream films and offers an approach to studying the transformation of Chinese mainstream film within the theoretical frameworks of “genre theory” and “screenwriting method”. It helps professionals understand the genres and narratives of Chinese mainstream films, and also serves as a must-read for non-professionals interested in Chinese cinema.
À propos de l'auteur :
Fangyi Xu is film writer/director, and Lecturer at Communication University of China. She has a PhD from Peking University and a master’s degree from University of Southern California. She has also worked as a Postdoctor at Tsinghua University. She has international vision and inter-disciplinary background (art, humanities, communication, etc.), as well as a wide variety of practical experience in creation, research and teaching in the film and television industry at home and abroad.
Voir le site internet de l'éditeur Palgrave MacMillan
> Sur un thème proche :
Chinese Film in the Twenty-First Century (2025)
Movements, Genres, Intermedia
Dir. Corey Schultz et Cecília Mello
Romanian and Chinese Cinemas (2025)
Socialist Affect and Cultural Politics from Maoism to the New Waves
de Lucian Țion
China through the Camera Lens (2024)
A Multimedia Reader for Advanced Chinese
de Shuqin Cui, Ying Gao, Hsin-hsin Liang et Julian K. Wheatley
Main Melody Films (2024)
Hong Kong Directors in Mainland China
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