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Steampunk Film

A Critical Introduction (livre en anglais)

de Robbie McAllister

Type
Etudes
Sujet
GenreScience Fiction
Mots Clés
steampunk, 21e siècle, science-fiction
Année d'édition
2020
Editeur
Bloomsbury Academic
1ere édition
2019
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 264 pages
15 x 23 cm
ISBN
978-1-5013-6860-8
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Description de l'ouvrage :
Steampunk Film: A Critical Introduction is a concise and accessible overview of steampunk's indelible impact within film, and acts as a case study for examining the ways with which genres hybridize and coalesce into new forms. Since the beginning of the 21st century, a series of high-profile and big-budget films have adopted steampunk identities to re-imagine periods of industrial development into fantastical histories where future meets past. By calling this growing mass-cultural fetishism for anachronistic machines into question, this book examines how a retro-futuristic romanticism for technology powered by cogs, pistons and steam-engines has taken center stage in blockbuster cinema.

As the first monograph to consider cinema's unique relationship with steampunk, it places this burgeoning genre in the context of ongoing debates within film theory: each of which reflecting the movement's remarkable interest in reengineering historical technologies. Rather than acting as a niche subculture, Robbie McAllister argues that steampunk's proliferation in mainstream filmmaking reflects a desire to reassess contemporary relationships with technology and navigate the intense changes that the medium itself is experiencing in the 21st century.

À propos de l'auteur :
Following a masters that evaluated the genre of gothic horror, Robbie McAllister's doctoral thesis considered the significance of a growing number of steampunk films that recast the nineteenth century into a realm where past, present and future collide. This research has developed into both an upcoming monograph and a continued interest in investigating steampunk's pop-cultural representations of antiquated technologies. He is currently a lecturer in film at Leeds Trinity University, UK, where he leads courses focused upon the film industry and contemporary media change.

Revue de Presse :
"While academics have engaged with steampunk as a subject, none has explored film in the depth that this book does. Film is used here to elucidate what steampunk is and what its attitude to technology and design can tell us about contemporary cultural attitudes to technology and society." ―Jeanette Atkinson, Research Development Advisor, Victoria University of Wellington, New Zealand

Voir le site internet de l'éditeur Bloomsbury Academic

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