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Kaleidoscope of Indian Cinema
From Cacophony of Voices of Euphony of Verses (livre en anglais)
Sous la direction de Manish Kumar C. Mishra et Manjeet Maan
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Description de l'ouvrage :
With each changing angle, a kaleidoscope produces a design of different symmetry and color combination. Similarly, Indian cinema presents various perspectives reflecting reality and imagination, aspirations and frustrations, success and failure of India as a nation and a culture. Spanning all* more than a century, it has witnessed the making, unmaking and remaking of idea of India as a nation. At the same time it has also attempted to capture the eternal spirit of Indian cultural ethos in a short span of movie time. It has not only voiced the problems and protests of common Indian men and women but has also sung their lyrics and saga along with those of great leaders. By creating a number of larger than life characters. Indian cinema has rivaled history and literature in inspiring ordinary people to extraordinary triumphs. What Indian cinema has done with India, the present book strives to do with Indian cinema. Though narrow in range, this book is an endeavor to provide a kaleidoscopic view of Indian cinema ranging from cacophony of voices to the euphony of verses.
About the Author
Dr. Manish Kumar C. Mishra (M.A. Hindi (Goldmedalist), Ph.D.; University of Mumbai), Assistant Professor in the Department of Hindi. K.M. Agrawal College, Kalyan, (Maharashtra), has a teaching experience of 13 years in different colleges of Maharashtra. His field of specialization is Katha Sahity/ Media and Regional/Local Cinema. However, his recent interest involves study of Hindi Blogging, Contemporary Marathi Poetry and Local Cinema of Malegaon, Maharashtra. He is popularizing 'Hindi Blogging Knowledge' in the society through his biog. He has authored four hooks and edited more than fifteen hooks with an interdisciplinary approach. He has also publishe
À propos des auteurs :
Dr. Manish Kumar C. Mishra (M.A. Hindi (Goldmedalist), Ph.D.; University of Mumbai), Assistant Professor in the Department of Hindi. K.M. Agrawal College, Kalyan, (Maharashtra), has a teaching experience of 13 years in different colleges of Maharashtra. His field of specialization is Katha Sahity/ Media and Regional/Local Cinema. However, his recent interest involves study of Hindi Blogging, Contemporary Marathi Poetry and Local Cinema of Malegaon, Maharashtra. He is popularizing 'Hindi Blogging Knowledge' in the society through his biog. He has authored four hooks and edited more than fifteen hooks with an interdisciplinary approach. He has also published equal number of research papers. He has presented his papers in many national and international conferences and seminars. He has also completed four UGC/University of Mumhai funded research projects.
> Sur un thème proche :
The Female Playback in Bombay Cinema (2025)
Voice, Body, Technology
Muslim Identity in Hindi Cinema (2025)
Poetics and Politics of Genre and Representation
A History of India's North-East Cinema (2025)
Deconstructing the Stereotypes
The Revolution of Indian Parallel Cinema in the Global South (1968–1995) (2025)
From Feminism to Iconoclasm
de Omar Ahmed
Cinema and the Indian National Emergency (2025)
Histories and Afterlives
Dir. Parichay Patra et Dibyakusum Ray
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