Les livres en français sont sur www.livres-cinema.info
The City in American Cinema
Film and Postindustrial Culture (livre en anglais)
Sous la direction de Johan Andersson
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage :
How has American cinema engaged with the rapid transformation of cities and urban culture since the 1960s? And what role have films and film industries played in shaping and mediating the “postindustrial” city? This collection argues that cinema and cities have become increasingly intertwined in the era of neoliberalism, urban branding, and accelerated gentrification. Examining a wide range of films from Hollywood blockbusters to indie cinema, it considers the complex, evolving relationship between moving image cultures and the spaces, policies, and politics of US cities from New York, Los Angeles, and Boston to Detroit, Oakland, and Baltimore. The contributors address questions of narrative, genre, and style alongside the urban contexts of production, exhibition, and reception, discussing films including The Friends of Eddie Coyle (1973), Cruising (1980), Desperately Seeking Susan (1985), King of New York (1990), Inception (2010), Frances Ha (2012), Fruitvale Station (2013), Only Lovers Left Alive (2013), and Doctor Strange (2016).
À propos de l'auteur :
Johan Andersson is Lecturer in Urban Geography at King's College London, UK.Lawrence Webb is Lecturer in Film Studies at the University of Sussex, UK.
Revue de Presse :
The forging of cinema within the crucible of urban modernity has been well established by scholars, but what happens to this connection as both cities and filmmaking transform in the post-industrial era? This collection brings long overdue focus to the decades following World War II, demonstrating how the deep interrelation between cinema and the city is sustained in the way movies are made, where they're shown, and the we see on screen.
This collection offers an expansive bird's-eye view as well as street-level scrutiny of the post-classical cinematic cityscape, providing compelling, clear-sighted assessment of the mutually regenerative exchange between American cities and the U.S. film industry since the 1960s. Drawing on cultural geography, spatiality theory, and production and exhibition histories, (T)hese cogent, accessible essays map cinema's urban imaginaries and the cities and conditions out of which they are conjured, ranging from the postindustrial urban decline of American New Wave cinema to the gentrified "creative city" of recent indie film, from the outer borough to the indieplex, and from Nixon to Trump.
This vital collection provides a broad interrogation of how American film, through its representational and industrial practices, has been deeply involved in the re-making of urban space.
Voir le site internet de l'éditeur Bloomsbury Academic
> Du même auteur :
Global Cinematic Cities (2016)
New Landscapes of Film and Media
Dir. Johan Andersson et Lawrence Webb
Sujet : Sociologie
> Sur un thème proche :
Film and Urban Space (2014)
Critical Possibilities
de Geraldine Pratt et Rose Marie San Juan
Sujet : Sociologie
American Energy Cinema (2023)
Dir. Robert Lifset, Raechel Lutz et Sarah Stanford-McIntyre
Sujet : Sociologie
Consent Culture and Teen Films (2023)
Adolescent Sexuality in Us Movies
de Michele Meek
Sujet : Sociologie
Retour
