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Screening Soviet Nationalities

Kulturfilms from the Far North to Central Asia (livre en anglais)

de Oksana Sarkisova

Type
Etudes
Sujet
PaysRussie / URSS
Mots Clés
cinéma soviétique, régional, cultures nationales
Année d'édition
2021
Editeur
Bloomsbury Academic
Collection
KINO - The Russian and Soviet Cinema
1ere édition
2017
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 320 pages
14 x 21,5 cm
ISBN
978-1-350-24245-6
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Description de l'ouvrage :
Filmmakers in the early decades of the Soviet Union sought to create a cinematic map of the new state by portraying its land and peoples on screen. Such films created blueprints of the Soviet domain's scenic, cultural and ethnographic perimeters and brought together - in many ways disparate - nations under one umbrella. Categorised as kulturfilms, they served as experimental grounds for developing the cinematic formulae of a multiethnic, multinational Soviet identity. Screening Soviet Nationalities examines the non-fictional representations of Soviet borderlands from the Far North to the Northern Caucasus and Central Asia between 1925-1940. Beginning with Dziga Vertov and his vision of the Soviet space as a unified, multinational mosaic, Oksana Sarkisova rediscovers films by Vladimir Erofeev, Vladimir Shneiderov, Alexander Litvinov, Mikhail Slutskii, Amo Bek-Nazarov, Mikhail Kalatozov, Roman Karmen and other filmmakers who helped construct an image of Soviet ethnic diversity and left behind a lasting visual legacy.The book contributes to our understanding of changing ethnographic conventions of representation, looks at studies of diversity despite the homogenising ambitions of the Soviet project, and reexamines methods of blending reality and fiction as part of both ideological and educational agendas. Using a wealth of unexplored archival evidence from the Russian State Documentary Film and Photo Archive (RGAKFD) as well as the Gosfilmofond state film archive, Sarkisova examines constructions of exoticism, backwardness and Soviet-driven modernity through these remarkable and underexplored historical travelogues.

À propos de l'auteur :
Oksana Sarkisova is Research Fellow at the Blinken Open Society Archives at Central European University (CEU), Co-Founder of Visual Studies Platform at CEU, and Director of Verzio International Human Rights Documentary Film Festival, Hungary.

Voir le site internet de l'éditeur Bloomsbury Academic

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