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The Cinema of Hong Kong
History, Arts, Identity (livre en anglais)
Sous la direction de Poshek Fu et David Desser
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Description de l'ouvrage :
The Cinema of Hong Kong examines one of the most popular and dynamic cinema traditions in the history of film. Providing an overview of major directors, genres and stars, from its origins to the present, this volume examines Hong Kong cinema in transnational, historical, and artistic contexts. Individual essays focus on Hong Kong cinema before and during World War II; the cinema of the turbulent 1960s; its rise to world prominence in the 1970s and its reception in the United States, and the revival of Cantonese cinema, among other topics.
Revue de Presse :
"With such range and overall high quality, this collection is required reading for any serious student of Chinese popular cultures..." Journal of Asian History
"More than half of the contributors are Asian - most of them ethnic Chinese; all experts on Hong Kong cinema - so English speakers will find historical, social, and economic data that is new to them. This book displays a variety, range and depth matching the values of its subject matter. Recommended for collections supporting film studies at all levels." Choice
Voir le site internet de l'éditeur Cambridge University Press
> Des mêmes auteurs :
Killers, Clients and Kindred Spirits (2019)
The Taboo Cinema of Shohei Imamura
Dir. Lindsay Coleman et David Desser
Sujet : Réalisateur > Shôhei Imamura
Tough Ain't Enough (2018)
New Perspectives on the Films of Clint Eastwood
Dir. Lester D. Friedman et David Desser
Sujet : Réalisateur > Clint Eastwood
Cinematic Landscapes (2000)
Observations on the Visual Arts and Cinema of China and Japan
Dir. Linda C. Ehrlich et David Desser
> Sur un thème proche :
Hong Kong Crime Films (2023)
Criminal Realism, Censorship and Society, 1947-1986
Experts in Action (2021)
Transnational Hong Kong-Style Stunt Work and Performance
The Other Side of Glamour (2020)
The Left-Wing Studio Network in Hong Kong Cinema in the Cold War Era and Beyond
Screening Communities (2019)
Negotiating Narratives of Empire, Nation, and the Cold War in Hong Kong Cinema
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