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Design for Doctor Who
Vision and Revision in Science Fiction Television (livre en anglais)
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Description de l'ouvrage :
The long-running popular TV series Doctor Who is, Piers Britton argues, a 'uniquely design intensive text': its time-and-space-travel premise requires that designers be tirelessly imaginative in devising new worlds and entities and recreating past civilizations. While Doctor Who's attempts at worldbuilding are notorious for being hit-and-miss – old jokes about wobbly walls and sink plungers die hard – the distinctiveness of the series' design imagery is beyond question. And over the course of six decades Doctor Who has produced designs which are not only iconic but, in being repeatedly revisited and updated, have proven to be an ever-more important element in the series' identity and mythos.
In the first in-depth study of Doctor Who's costumes, sets and graphics, Piers Britton offers an historical overview of both the original and the revived series, explores theoretical frameworks for evaluating Doctor Who design, and provides detailed analysis of key images. Case studies include the visual morphology of Doctor Who's historical adventures, the evaluative character of cosplay, and the ongoing significance for the Doctor Who brand of such high-profile designs as the Daleks and the TARDIS interior, the 'time-tunnel' title sequence, and the costumes of the Fourth and Thirteenth Doctors.
À propos de l'auteur :
Piers Britton is Professor and Director of Visual & Media Studies at the University of Redlands, Southern California. He is the author of TARD/Sbound (I.B.Tauris, 2011) and co-author of Reading Between Designs: Visual imagery and the generation of meaning in The Avengers, The Prisoner and Doctor Who (U.T. Press, 2003). He writes mostly on costume and production design for television and film, and is currently developing a book-length study of design for television and film, provisionally entitled Immaterial Culture: Theorizing Design for Screen Entertainment. He teaches on screen genres, television aesthetics, the arts and art theory in the Renaissance, and gender in art and the media.
Revue de Presse :
"Britton's book highlights the important role played by design throughout the various incarnations of Doctor Who, providing both a fresh perspective on the long-running series and a robust model for future research into this neglected area of media studies." - Richard Hewett, University of Salford, UK
"Whether you’re a Doctor Who fan or a design student – perhaps even an attentive student of Doctor Who or a passionate design fan – Design for Doctor Who is for you. Expertly and innovatively bringing together design studies and ‘Doctor Who studies’, Piers Britton restores the importance of the visual to understanding this long-running TV show." - Professor Matt Hills, University of Huddersfield, UK
Voir le site internet de l'éditeur Bloomsbury Academic
Voir la fiche de Doctor Who (série TV) (1963–1989) sur le site IMDB ...
> Du même auteur :
Reading Between Designs (2003)
Visual Imagery and the Generation of Meaning in the Avengers, the Prisoner , and Doctor Who
> Sur un thème proche :
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Essays on the Feminine in Doctor Who
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Adventures Across Space and Time (2023)
A Doctor Who Reader
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More Doctor Who and Philosophy (2015)
Regeneration Time
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Sujet : Un Film > Doctor Who (série TV)
Doctor Who FAQ (2013)
All That's Left to Know About the Most Famous Time Lord in the Universe
Sujet : Un Film > Doctor Who (série TV)
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