Fat on Film

Gender, Race and Body Size in Contemporary Hollywood Cinema (livre en anglais)

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de Barbara Plotz

Type

Etudes

Sujet

Sociologie

Mots Clés

sociologie, corps, Etats-Unis

Année d'édition

2021

Editeur

Bloomsbury Academic

Collection

Library of Gender and Popular Culture

1ere édition

2020

Langue

anglais

Taille du livre

Format

Broché • 298 pages
14 x 21,5 cm

ISBN

978-1-350-19166-2

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Description de l'ouvrage :
Over the last two decades, fatness has become the focus of ubiquitous negative rhetoric, in the USA and beyond, presented under the cover of the medicalized ‘‘war against the obesity epidemic’’. In Fat on Film, Barbara Plotz provides a critical analysis of the cinematic representation of fatness during this timeframe, specifically in contemporary Hollywood cinema, with an emphasis on the intersection of gender, race and fatness. The analysis is based on around 50 films released since 2000 and includes examples such as Transformers (2007), Precious (2009), Kung Fu Panda (2008), Paul Blart (2009)and Pitch Perfect (2012).Plotz maps the common cinematic tropes of fatness and also shows how commonplace notions of fatness that are part of the current ‘‘obesity epidemic’’ discourse are reflected in these tropes. In this original study, Plotz brings critical attention to the politics of fat representation, a topic that has so far received little attention within film and cinema studies.

À propos de l'auteur :
Barbara Plotz is Associate Lecturer at London College of Communication and she also teaches in the Department of Film Studies at King's College London, UK. She is a film scholar working at the intersection of film and cultural studies, with a focus on representation, gender, the body, and genre - specifically horror cinema.Angela Smith is Professor of Language and Culture at the University of Sunderland, UK. She has written numerous articles and book chapters on media discourses, gender, the portrayal of immigrants and the representation of politicians.Claire Nally is Associate Professor of Modern and Contemporary Literature in the Department of English Literature, Linguistics and Creative Writing at Northumbria University, UK. She is the author of Steampunk: Gender, Subculture and the Neo-Victorian (Bloomsbury, 2019), co-editor or Bloomsbury Library of Gender and Popular Culture and Deputy Editor (including reviews) of the open access journal C21 Literature.

Voir le site internet de l'éditeur Bloomsbury Academic