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Acting for the Silent Screen

Film Actors and Aspiration between the Wars (livre en anglais)

de Chris O'Rourke

Type
Etudes
Sujet
Cinéma muet
Mots Clés
cinéma muet, jeu d'acteur
Année d'édition
2021
Editeur
Bloomsbury Academic
Collection
Cinema and Society
1ere édition
2017
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 216 pages
14 x 21,5 cm
ISBN
978-1-350-24285-2
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Description de l'ouvrage :
A shop girl wins a newspaper competition and is transformed overnight into a transatlantic celebrity. An aristocrat swaps high society for the film studio when she 'consents' to perform in a series of films, thus legitimising acting for what some might have considered a 'low' art. Stories like these were the stuff of newspaper headlines in 1920s and reflected a 'craze' for the cinema. They also demonstrated radical changes in attitudes and values within society in the wake of World War I. Chris O'Rourke investigates the myths and material practices that grew up around film actors during the silent era. The book sheds light on issues such as the social and cultural reception of cinema, the participatory film culture expressed through fan magazines, instructional booklets and movie star competitions, and the working conditions encountered by actors behind-the-scenes of silent films. Drawing on extensive research and a wealth of archival materials, O'Rourke examines how dreams of stardom were fuelled and exploited in the interwar period, and reconstructs the personal narratives and experiences of the first generation to imagine making a living on screen.In doing so, he reveals a missing - and much sought after - piece of cinematic history to bring to life the developing industries, social attitudes and norms of a period of enormous change.

À propos de l'auteur :
Chris O'Rourke is Senior Lecturer in Film and Television History at the University of Lincoln, UK. He has published widely on aspects of British cinema history, and he is the co-editor of the volume London on Film (2017).

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