Les livres en français sont sur www.livres-cinema.info
MENU   

Philosophy and the Moving Image

(livre en anglais)

de Noel Carroll

Type
Etudes
Sujet
Théorie
Mots Clés
philosophie
Année d'édition
2021
Editeur
Oxford University Press
Collection
Thinking Art
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié • 416 pages
16,5 x 23 cm
ISBN
978-0-19-068330-6
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage :
A wide-ranging, eclectic collection of essays on philosophy and the moving image by a pre-eminent philosopher of art

This volume presents a selection of philosopher Noël Carroll's essays-several of which appear in print here for the first time-at the intersection of philosophy, film, and television. The volume begins with broad, foundational issues-what the moving image is, the nature of the medium of film and how we should evaluate it-engaging critically with the most essential problems and puzzles in the field. Carroll then moves to more focused issues in the philosophy of film and television. He reflects on whether ethical defects in fictional characters such as Tony Soprano have an impact on artistic excellence; the role of films in political debates (using the examples of Star Trek and Planet of the Apes); the question of whether film can do philosophy in its own way; and philosophical themes in avant-garde cinema. His analysis touches on a broad range of areas in philosophy including metaphysics, epistemology, ethics, politics, and aesthetics. The book then concludes with philosophical re-assessments of key figures in the philosophy of the moving image-Sergei Eisenstein, Arthur Danto, Bela Balasz, and Stanley Cavell. A wide-ranging and eclectic collection of work by a major figure in aesthetics and the philosophy of film and television, this volume will appeal to scholars, students, and cinephiles alike.

À propos de l'auteur :
Professor of Philosophy, CUNY Graduate Center. Author HUMOR: A Very Short Introduction (OUP 2014), ART IN THREE DIMENSIONS (OUP 2010), ENGAGING THE MOVING IMAGE (Yale 2003), A PHILOSOPHY OF MASS ART (OUP 1998), THE PHILOSOPHY OF MOTION PICTURES (Blackwell 2007)

Voir le site internet de l'éditeur Oxford University Press

> Du même auteur :

> Sur un thème proche :

Cinecepts, Deleuze, and Godard-Miéville:Developing Philosophy through Audiovisual Media

Cinecepts, Deleuze, and Godard-Miéville (2025)

Developing Philosophy through Audiovisual Media

de Jakob A. Nilsson

Sujet : Théorie

Cinema of/for the Anthropocene:Affect, Ecology, and More-Than-Human Kinship

Cinema of/for the Anthropocene (2025)

Affect, Ecology, and More-Than-Human Kinship

Dir. Katarzyna Paszkiewicz et Andrea Ruthven

Sujet : Théorie

Film Figures:An Organological Approach

Film Figures (2025)

An Organological Approach

de Warwick Mules

Sujet : Théorie

Film, Negation and Freedom:Capitalism and Romantic Critique

Film, Negation and Freedom (2025)

Capitalism and Romantic Critique

de Will Kitchen

Sujet : Théorie

Contemporary Screen Ethics:Absences, Identities, Belonging, Looking Anew

Contemporary Screen Ethics (2025)

Absences, Identities, Belonging, Looking Anew

Dir. Lucy Bolton, David Martin-Jones et Robert Sinnerbrink

Sujet : Théorie

12690 livres recensés   •   (c)2024-2025 cinemabooks.info   •