MENU   

Sound for Moving Pictures

(livre en anglais)

de

Type
Ouvrage didactique
Sujet
Technique
Mots Clés
son
Année d'édition
Editeur
Routledge
Collection
Sound Design
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché220 pages
15,5 x 23,5 cm
ISBN
978-0-367-51778-6
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage :
Sound for Moving Pictures presents a new and original sound design theory called the Four Sound Areas framework, offering a conceptual template for constructing, deconstructing and communicating all types of motion picture soundtracks; and a way for academics and practitioners to better understand and utilize the deeper, emotive capabilities available to all filmmakers through the thoughtful use of sound design.

The Four Sound Areas framework presents a novel approach to sound design that enables the reader to more fully appreciate audience emotions and audience engagement, and provides a flexible, practical model that will allow professionals to more easily create and communicate soundtracks with greater emotional significance and meaning.

Of obvious benefit to sound specialists, as well as motion picture professionals such as film producers, directors and picture editors, Sound for Moving Pictures also provides valuable insight for others interested in the subject; such as those involved with teaching soundtrack analysis, or those researching the wider topics of film studies and screen writing.

Supplementary materials can be found on the companion website: www.soundformovingpictures.com

À propos de l'auteur :
Neil Hillman, PhD, is a highly experienced sound designer, production sound mixer and scholar who contributes to both multi-million budgeted feature films and crowd-funded indie movies. His PhD investigated emotion within sound design and considered enhanced audience engagement through the thoughtful use of the soundtrack.

Revue de Presse :
Whether you’re an experienced film practitioner or a student at the beginning of your career, an academic looking for a deeper understanding of sound design or a teaching professional designing a Master’s degree module, or even a lecturer or student involved in the wider topic of film studies, there is a wealth of theoretical, practical and applicable knowledge contained within this educational, informative and entertaining book.

www.behindtheglass.uk

Voir le

> Sur un thème proche :

Sound and Space in Film:Craft, Aesthetics, Theory

(2025)

Craft, Aesthetics, Theory

Dir. et

Sujet : Technique >

Making Stereo Fit:The History of a Disquieting Film Technology

(2024)

The History of a Disquieting Film Technology

de

Sujet : Technique >

Listening With a Feminist Ear:Soundwork in Bombay Cinema

(2023)

Soundwork in Bombay Cinema

de

Sujet : Technique >

Aesthetics of Early Sound Film:Media Change Around 1930

(2023)

Media Change Around 1930

Dir.

Sujet : Technique >

The Auditory Setting:Environmental Sounds in Film and Media Arts

(2023)

Environmental Sounds in Film and Media Arts

de

Sujet : Technique >

Acoustic Profiles:A Sound Ecology of the Cinema

(2023)

A Sound Ecology of the Cinema

de

Sujet : Technique >

16099 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info