MENU   

Dramatic Story Structure

A Primer for Screenwriters (livre en anglais)

de

Type
Ouvrage didactique
Sujet
Technique
Mots Clés
écriture
Année d'édition
Editeur
Routledge
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché232 pages
16 x 24 cm
ISBN
978-0-415-81371-6
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage :
A successful screenplay starts with an understanding of the fundamentals of dramatic story structure. In this practical introduction, Edward J. Fink condenses centuries of writing about dramatic theory into ten concise and readable chapters, providing the tools for building an engaging narrative and turning it into an agent-ready script. Fink devotes chapters to expanding on the six basic elements of drama from Aristotle’s Poetics (plot, character, theme, dialogue, sound, and spectacle), the theory and structure of comedy, as well as the concepts of unity, metaphor, style, universality, and catharsis. Key terms and discussion questions encourage readers to think through the components of compelling stories and put them into practice, and script formatting guidelines ensure your finished product looks polished and professional. Dramatic Story Structure is an essential resource not only for aspiring screenwriters, but also for experienced practitioners in need of a refresher on the building blocks of storytelling.

À propos de l'auteur :
Edward J. Fink, Ph.D., is Professor and Chair of Radio-TV-Film at California State University, Fullerton.

Revue de Presse :
"Dramatic Story Structure is eloquent in its simplicity. Too many books, especially textbooks, mistake length for substance. Dr. Fink’s book is succinct and substantial—to me, this text stands alone among the books I use, and offers something unique that I’d like my students to understand." —Paul Helford, Principal Lecturer, Electronic Media and Film, School of Communication, Northern Arizona University

Voir le

> Du même auteur :

> Sur un thème proche :

The Heart of Your Script:The Insider's Guide to Writing the Difficult Middle Section of a Screenplay

(2026)

The Insider's Guide to Writing the Difficult Middle Section of a Screenplay

de et

Sujet : Technique >

Rem Koolhaas as Scriptwriter:OMA Architecture Script for West Berlin

(2025)

OMA Architecture Script for West Berlin

de

Sujet : Technique >

Beyond the Monoplot:How to Write Unconventional Films (and Why We Should)

(2025)

How to Write Unconventional Films (and Why We Should)

de

Sujet : Technique >

Scriptnotes:A Book About Screenwriting and Things That Are Interesting to Screenwriters

(2025)

A Book About Screenwriting and Things That Are Interesting to Screenwriters

de et

Sujet : Technique >

Film as Argument:The Secret to Feature Film Storytelling

(2025)

The Secret to Feature Film Storytelling

de

Sujet : Technique >

Screenwriting the Modern Biopic:A Reflexive Case Study

(2025)

A Reflexive Case Study

de

Sujet : Technique >

Save the Cat! Writes Horror:The Ultimate Guide to Creating Monster in the House Stories

(2025)

The Ultimate Guide to Creating Monster in the House Stories

de

Sujet : Technique >

The Screenwriting Sensei:A Complete Guide to Writing Your First Script

(2025)

A Complete Guide to Writing Your First Script

de

Sujet : Technique >

15750 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info